China Oil Painting Reproductions

100% hand-painted & 100% money back if not satisfied!
 
 

Bartolomeo Vivarini Madonna della Misericordia oil painting reproduction


Bartolomeo Vivarini

Madonna della Misericordia
Venice ca 1432-after 1491
1473 Tempera on panel
Painting ID::  43852
 

 

Piero della Francesca Madonna della Misericordia oil painting reproduction


Piero della Francesca

Madonna della Misericordia

Madonna della Misericordia Piero della Francesca, 1460-1462 Oil and tempera on panel Pinacoteca Comunale, Sansepolcro
Painting ID::  58849
 

 

Piero della Francesca
Italian Early Renaissance Painter, ca.1422-1492 Italian painter and theorist. His work is the embodiment of rational, calm, monumental painting in the Italian Early Renaissance, an age in which art and science were indissolubly linked through the writings of Leon Battista Alberti. Born two generations before Leonardo da Vinci, Piero was similarly interested in the scientific application of the recently discovered rules of perspective to narrative or devotional painting, especially in fresco, of which he was an imaginative master; and although he was less universally creative than Leonardo and worked in an earlier idiom, he was equally keen to experiment with painting technique. Piero was as adept at resolving problems in Euclid, whose modern rediscovery is largely due to him, as he was at creating serene, memorable figures, whose gestures are as telling and spare as those in the frescoes of Giotto or Masaccio. His tactile, gravely convincing figures are also indebted to the sculpture of Donatello, an equally attentive observer of Classical antiquity. In his best works, such as the frescoes in the Bacci Chapel in S Francesco, Arezzo, there is an ideal balance between his serene, classical compositions and the figures that inhabit them, the whole depicted in a distinctive and economical language. In his autograph works Piero was a perfectionist, creating precise, logical and light-filled images (although analysis of their perspective schemes shows that these were always subordinated to narrative effect). However, he often delegated important passages of works (e.g. the Arezzo frescoes) to an ordinary, even incompetent, assistant.
Madonna della Misericordia
Madonna della Misericordia Piero della Francesca, 1460-1462 Oil and tempera on panel Pinacoteca Comunale, Sansepolcro

        
   
 

Xiamen China Wholesale Oil Paintings Wholesale Picture Frames,Photo Frames, Moulding Beveled Mirrors

http://www.chinaoilpainting.com

China Oil Painting Studio Team